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Poorvi ThaatOdav - Sampurna

Basant

Feb 15, 2026
Shringar, Bhakti, Joy

Raag Basant is a vibrant and ancient raga in Hindustani Classical Music, traditionally associated with the Spring season (Basant Ritu). It belongs to the Purvi Thhat and is celebrated for its ability to evoke the joy and rejuvenation of nature. The raga is characterized by its Audav-Sampurna Jati, meaning it omits Rishabh (Re) and Pancham (Pa) in its ascent. A defining feature of Basant is the usage of both Shuddha and Teevra Madhyam, along with Komal Rishabh and Komal Dhaivat. While it is technically a late-night raga, performed during the last prahar, it is traditionally permitted to be sung at any time during the spring months. The movement of the raga often dwells in the upper tetrachord (Uttarang), giving it a bright, uplifting, and energetic character. It is frequently utilized in semi-classical compositions like Dhamar and Hori to celebrate festivities.

Scale Structure

Aaroh :
Sa
,
Ga
,
Ma
,
Dha
,
Re
,
Sa
Avroh :
Sa
Ni
Dha
Pa
,
Dha
Ma
Pa
,
Ma
Ga
,
Ma
Ga
Re
Sa
Pakad :
Ma
Dha
,
Re
,
Sa
,
Ni
Dha
Pa
,
Ma
Ga
,
Ma
Ga
,
Re
Sa
,
Ni
Sa
Ma

Musical Properties

Vadi:Sa (High Sa)
Samvadi:Ma
Varjit Swar:Rishabh and Pancham in Aaroh
Thaat:Poorvi
Jati:Odav - Sampurna
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Melodic elaboration of each note with characteristic phrases and movements:

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