Index | Swar | Notation |
---|---|---|
1 | For Mandra Saptak, a dot is placed below the note. | Pa,Dha,Ni |
2 | There is no symbol above or below the notes for Madhya Saptak. | Sa, Re, Ga, Ma, Pa |
3 | For Taar Saptak, a dot is placed above the note. | Sa,Re,Ga,Ma |
4 | A Komal (flat) note is shown with a line underneath. | Re,Ga,Dha,Ni |
5 | In a Teevra (sharp) note, the Ma note is shown with a line above. | Ma |
6 | In Taar Saptak, Komal notes are shown like this. | Re,Ga |
7 | In Mandra Saptak, Komal notes are shown like this. | Dha,Ni |
8 | The number of horizontal lines '-' after a note indicates how long it should be stretched when sung. | Ga--, Re--, Mo-- |
9 | Notes that have a curve below are to be understood as sung in one beat. | SaNiDha |
10 | If a note is enclosed in brackets, then sing the previous note, that note, the next note, and the same note again — all in one beat. | (Pa) = DhaPaMaPa (Ga) = ReGaMaGa |
11 | If there is an inverted curve above the notes, it indicates a Meend (glide). One should glide from the first to the last note while singing. | Re Pa |
12 | Comma ( , ) represents a short pause, similar to a pause in English. | MaPa, DhaNiSa GaRe, PaDhaNi, PaSa |
13 | The symbol of the Sam (first beat) of the Taal (rhythm). | X |
14 | The symbol of the Khaali (empty beat) in the Taal. | 0 |
15 | The numbers given for other claps in the Taal, respectively: | 2, 3, 4 |