राग सागर

Classical Music Portal

Explore the Ocean of Indian Classical Music

Dive deep into the timeless tradition of Indian classical music. Discover ragas, learn their moods, and understand the perfect time to experience their divine essence.

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Time-based Ragas
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Bandishes
Compositions

Featured Bandish

Discover beautiful compositions across various ragas, celebrating the rich tradition of Indian classical vocal music

Sthayi

Maan Laage Naa Moraa, Piyaa Pardesh Gailvaa

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Sthayi

Koyaliyaa Bole Ambuva Ki Daar Par, Rutu Basant Ki Det Sandeshvaa

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Sthayi

Bit Jaat Barkha Rut, Sajan Naahi Aaye, Yeri Yeri Yeri Pyaari

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Sthayi

Sudhan Lini Jabse Gaye Nainvaa Lagaay Ke, Nainvaa Lagaay Mero Jiyraa Haraay Ke

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Sthayi

Man Ki Baat Sunavo Pyare, Sundar Lagat Nayan Tihare

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Featured Bhajans

Immerse yourself in devotional music that uplifts the soul, with bhajans dedicated to the divine

Devotional

શ્રી રામ, જયજયતી જય રઘુવંશ ભૂષણ

Tulsidas
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Featured Ragas

Explore some of the most beloved ragas in Indian classical music, each with its unique time and emotional essence

Classical

Raag Shri

Raag Shri is one of the most ancient and majestic ragas in Hindustani Classical Music, belonging to the Poorvi Thhat. It is traditionally performed during the late afternoon as the sun sets, categorized as an Evening Sandhiprakash raga. Raag Shri is renowned for its serious (Gambhir) and deeply meditative nature, often evoking feelings of awe, devotion, and profound longing. Its melodic structure is Audav-Sampurna, where Gandhar and Dhaivat are omitted in the ascent (Aaroh). The raga heavily emphasizes Komal Rishabh (the Vadi) and Pancham (the Samavadi), creating a unique tension and resolution. The use of Teevra Madhyam and Komal Dhaivat further enhances its complex emotional landscape. Mastering Raag Shri requires great skill in handling its intricate meends (glides) and the specific, forceful application of the Rishabh.
Evening 6 PM to 7 PM
Bhakti, Karuna, Vairagya, Shanti
Notes (Swar)
Sa
,
Re
Re
,
Sa
,
Re
,
Ma
Pa
,
Ni
Sa
Classical

Raag Lalit

Raag Lalit is a profoundly beautiful and ancient morning Raag, traditionally performed during the transition from night to day (Sandhiprakash). It belongs to the Poorvi Thhat and is characterized by the complete omission of the note Pancham (Pa). A unique and defining feature of Lalit is its use of both Shuddha Madhyam and Tivra Madhyam in close proximity, creating a hauntingly spiritual and contemplative atmosphere. This Raag is 'Meend-Pradhan,' requiring smooth glides between notes to bring out its true essence. It evokes a sense of spiritual awakening, peace, and deep introspection. The interplay between the two Madhyams, combined with the Komal Rishabh, gives Lalit a distinct identity that is both complex and deeply moving, making it a favorite among maestros for early morning concerts.
Midnight 1 AM to 4 AM
Bhakti, Karuna, Shanti
Notes (Swar)
Ni
Re
Ga
Ma
,
Ma
Ma
Ga
,
Ma
Dha
,
Sa
Classical

Raag Puriya

Raag Puriya is a majestic and profound evening melody belonging to the Marwa Thhat. It is a 'Sandhiprakash' Raag, traditionally performed during the transition from day to night. This Raag is characterized by the complete omission of the note Pancham (Pa), giving it a unique Shadav-Shadav jati. It utilizes Komal Rishabh (Re) and Tivra Madhyam (Ma'), while the other notes are Shuddh. Puriya is renowned for its deeply meditative, serious (Gambhir), and spiritual temperament. Unlike its close relatives Marwa and Sohini, Puriya focuses on the lower and middle octaves, emphasizing Gandhar (Ga) as its Vadi and Nishad (Ni) as its Samavadi. The Raag creates an atmosphere of introspection, tranquility, and emotional depth, making it a favorite for seasoned artists to showcase their mastery over subtle microtones and melodic expansion (Vistar).
Night 7 PM to 10 PM
Shanti, Vairagya, Gambhirya, Devotional
Notes (Swar)
Ni
Re
Sa
,
Ga
,
Ma
Dha
,
Ni
Re
Sa
Classical

Raag Basant

Raag Basant is a vibrant and ancient raga in Hindustani Classical Music, traditionally associated with the Spring season (Basant Ritu). It belongs to the Purvi Thhat and is celebrated for its ability to evoke the joy and rejuvenation of nature. The raga is characterized by its Audav-Sampurna Jati, meaning it omits Rishabh (Re) and Pancham (Pa) in its ascent. A defining feature of Basant is the usage of both Shuddha and Teevra Madhyam, along with Komal Rishabh and Komal Dhaivat. While it is technically a late-night raga, performed during the last prahar, it is traditionally permitted to be sung at any time during the spring months. The movement of the raga often dwells in the upper tetrachord (Uttarang), giving it a bright, uplifting, and energetic character. It is frequently utilized in semi-classical compositions like Dhamar and Hori to celebrate festivities.
Late Afternoon 4 PM to 6 PM
Shringar, Bhakti, Joy
Notes (Swar)
Sa
,
Ga
,
Ma
,
Dha
,
Re
,
Sa
Classical

Raag Marva

Raag Marva is a centerpiece of Indian Classical Music, belonging to the Marwa Thhat. It is a sunset melody (Sandhiprakash Raag) that evokes a unique sense of restlessness, anxiety, and profound yearning. The most striking feature of Marva is the complete omission of the note Pancham (Pa) and the distinct treatment of the Shadaj (Sa), which is often suppressed to emphasize the Komal Rishabh (Re) and Shuddh Dhaivat (Dha). The Vadi is Komal Re and the Samavadi is Shuddh Dha, creating a dissonant yet hauntingly beautiful atmosphere. Marva is known for its 'Gambhir' (serious) nature and is considered a challenging raag that requires great skill to maintain its specific mood of spiritual detachment and tension. It is typically performed during the transition from day to evening, capturing the fading light of the sun.
Evening 6 PM to 7 PM
Viraag (Detachment), Anxiety, Meditative, Serious
Notes (Swar)
Sa
,
Re
,
Ga
,
Ma
,
Dha
,
Ni
,
Dha
,
Sa
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Interactive Learning Tools

Enhance your journey in Indian classical music with our interactive tools and resources

Raag Search by Time

Find the perfect raga for any time of day or night. Our intelligent search helps you discover ragas based on current time.

Learn Alankars

Master the fundamental exercises of Indian classical music. Practice ascending and descending note patterns.

Explore Bandish

Discover beautiful compositions in various ragas. Listen to traditional bandish and learn their structure.

Ready to Begin Your Musical Journey?

Join thousands of music enthusiasts exploring the depths of Indian classical music

Words of Wisdom

Timeless insights from the masters of Indian classical music

"The raga is not merely a scale, but a living entity with its own personality, its own rules, and its own spiritual essence."
🎵

Pandit Ravi Shankar

Sitar Virtuoso

"In classical music, the raga comes alive only when the artist surrenders completely to its mood and essence."
🎵

Ustad Zakir Hussain

Tabla Maestro

"Each raga has its own time, its own season, its own emotional landscape. It is like a living prayer."
🎵

Pandit Jasraj

Vocal Legend

"संगीत ही वह भाषा है जो सभी हृदयों को समझ आती है"

"Music is the language that touches every heart"

Understanding Indian Classical Music

Discover the fundamental concepts that make Indian classical music a profound and spiritual art form

What is a Raga?

A raga is a melodic framework that serves as the foundation for composition and improvisation. Each raga has its unique ascending and descending note patterns, emotional essence, and prescribed time of performance.

Why Time Matters

Indian classical music believes that specific ragas resonate with natural rhythms. Morning ragas capture the energy of dawn, afternoon ragas reflect the intensity of midday, and evening ragas embody tranquility.

Importance of Gharana

Gharanas are distinct schools of musical training that pass down unique interpretations, techniques, and compositions through generations. Each gharana preserves the rich heritage of Indian classical music.

"संगीत आत्मा की भाषा है"

"Music is the language of the soul"