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Bhairavi ThaatSampurna - Sampurna

Bhairavi

Jun 17, 2025
Bhakti, Karuna, Shringar, Shant

Raag Bhairavi is one of the most beloved and versatile ragas in Hindustani Classical Music. Belonging to its own parent scale, Bhairavi Thhat, it is unique for employing all four Komal (flat) notes: Rishabh, Gandhar, Dhaivat, and Nishad. Historically associated with the early morning hours (Pratahkal), it holds a special place in the Indian musical tradition as the 'Sada-Suhaagan' raga—it is universally accepted as the concluding piece for any classical concert, regardless of the time of day. Its structure is Sampurna-Sampurna, meaning it uses all seven notes in both ascending and descending orders. While its core nature is serene and devotional, Bhairavi is exceptionally flexible, allowing for the inclusion of all twelve musical notes in semi-classical renditions like Thumri or Dadra, often referred to as 'Mishra Bhairavi'. Its melodic flow is centered around the Vadi note Madhyam, providing a profound sense of emotional fulfillment.

Scale Structure

Aaroh :
Sa,
Re,
Ga,
Ma,
Pa,
Dha,
Ni,
Sa.
Avroh :
Sa,
Ni,
Dha,
Pa,
Ma,
Ga,
Re,
Sa.
Pakad :
Ma
Ga,
Sa
Re
Sa,
Dha
Ni
Sa.

Musical Properties

Vadi:Madhyam (Ma)
Samvadi:Shadaj (Sa)
Varjit Swar:None
Thaat:Bhairavi
Jati:Sampurna - Sampurna
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Melodic elaboration of each note with characteristic phrases and movements:

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Raag Bhairavi: The Universal Morning & Concluding Raga | Raagsagar