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Kalyan ThaatOdav - Sampurna

Marubihag

Apr 07, 2026
Shringar, Romantic, Peaceful, Deep Emotion

Raag Marubihag is an enchanting and sophisticated evening raga belonging to the Kalyan Thhat. It is essentially a refined variation of Raag Bihag, distinguished primarily by the beautiful and strategic use of both Shuddha and Teevra Madhyam. The raga evokes a romantic yet serious atmosphere, often categorized under the Shringar Rasa. In its melodic structure, Rishabh (Re) and Pancham (Pa) are typically omitted in the ascent (Aaroh), though they are used gracefully in the descent (Avroh), characterizing its Jati as Audav-Sampurna. The Vadi swar is Gandhar (Ga) and the Samvadi is Nishad (Ni). The subtle movement between the two Madhyams is a signature feature, providing a complex emotional depth and a specific 'pakar' that separates it from its parent raga. It is traditionally performed during the second prahar of the night, creating a serene, captivating, and deeply emotive musical experience.

Scale Structure

Aaroh :
Ni
,
Sa
,
Ga
,
Ma
,
Pa
,
Ni
,
Sa
Avroh :
Sa
,
Ni
,
Dha
,
Pa
,
Ma
,
Ga
,
Re
,
Sa
Pakad :
Ni
Sa
Ga
Ma
Pa
,
Ma
Ga
Re
Sa
,
Re
Ni
Dha
Pa

Musical Properties

Vadi:Gandhar (Ga)
Samvadi:Nishad (Ni)
Varjit Swar:Rishabh (Re) and Pancham (Pa) in Aaroh
Thaat:Kalyan
Jati:Odav - Sampurna
Quick Actions

Melodic elaboration of each note with characteristic phrases and movements:

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Check out more

Raag Marubihag: A Complete Guide to the Evening Melody | Raagsagar