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Marwa ThaatSampurna - Sampurna

Puriya Kalyan

Apr 15, 2026
Shanti, Gambhir, Bhakti, Karuna

Raag Puriya Kalyan is a magnificent 'Jod' or compound Raag that beautifully blends the characteristic elements of Raag Puriya and Raag Kalyan. Classified under the Marwa Thhat, it employs all seven notes, featuring Komal Rishabh (r) and Teevra Madhyam (M'). The inclusion of Pancham (Pa) is what distinguishes it from the pentatonic/hexatonic nature of Puriya, bringing in the sturdy 'Kalyan' influence. This Raag is a late evening melody, typically performed during the transition from twilight to the first quarter of the night. Its structure is deeply contemplative and grand, requiring a high level of mastery to balance the two constituent Raags. The Vadi swar is Gandhar (Ga) and the Samavadi is Nishad (Ni). It is known for creating a profound, meditative, and serene atmosphere that resonates with spiritual depth.

Scale Structure

Aaroh :
Ni
,
Re
,
Ga
,
Ma
,
Pa
,
Dha
,
Ni
,
Sa
Avroh :
Sa
,
Ni
,
Dha
,
Pa
,
Ma
,
Ga
,
Re
,
Sa
Pakad :
Dha
Ni
Re
Ga
,
Ma
Pa
Dha
Pa
Ma
Ga
Re
Ga
Re
Sa

Musical Properties

Vadi:Gandhar (Ga)
Samvadi:Nishad (Ni)
Varjit Swar:None
Thaat:Marwa
Jati:Sampurna - Sampurna
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Melodic elaboration of each note with characteristic phrases and movements:

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Raag Puriya Kalyan: A Guide to the Late Evening Melody | Raagsagar