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Poorvi ThaatOdav - Sampurna

Shri

Feb 15, 2026
Bhakti, Karuna, Vairagya, Shanti

Raag Shri is one of the most ancient and majestic ragas in Hindustani Classical Music, belonging to the Poorvi Thhat. It is traditionally performed during the late afternoon as the sun sets, categorized as an Evening Sandhiprakash raga. Raag Shri is renowned for its serious (Gambhir) and deeply meditative nature, often evoking feelings of awe, devotion, and profound longing. Its melodic structure is Audav-Sampurna, where Gandhar and Dhaivat are omitted in the ascent (Aaroh). The raga heavily emphasizes Komal Rishabh (the Vadi) and Pancham (the Samavadi), creating a unique tension and resolution. The use of Teevra Madhyam and Komal Dhaivat further enhances its complex emotional landscape. Mastering Raag Shri requires great skill in handling its intricate meends (glides) and the specific, forceful application of the Rishabh.

Scale Structure

Aaroh :
Sa
,
Re
Re
,
Sa
,
Re
,
Ma
Pa
,
Ni
Sa
Avroh :
Sa
,
Ni
Dha
,
Pa
,
Ma
Ga
Re
,
Ga
Re
,
Re
,
Sa
Pakad :
Sa
,
Re
Re
,
Sa
,
Pa
Ma
Ga
Re
,
Ga
Re
,
Re
,
Sa

Musical Properties

Vadi:Komal Rishabh (re)
Samvadi:Pancham (Pa)
Varjit Swar:Gandhar and Dhaivat in Aaroh
Thaat:Poorvi
Jati:Odav - Sampurna
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Melodic elaboration of each note with characteristic phrases and movements:

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Raag Shri: The Majestic Evening Hindustani Raga | Raagsagar