
Jhaptaal is a Hindustani classical taal with 10 beats (matras) divided into four sections or vibhags of 2-3-2-3 beats each. It is a cyclic rhythmic pattern widely used in vocal and instrumental music. The first beat is 'sam', and there are designated 'khali' beats, which are unaccented. Its relatively short cycle and uneven divisions contribute to its characteristic rhythmic drive and expressiveness. Jhaptaal is versatile, finding application in various musical forms like Khyal, Dhrupad, and instrumental compositions, providing a solid yet flexible rhythmic foundation.
2-3-2-3
Total: 10 beats
X 2 0 3
X = Sam (Clap)
Numbers = Tali (Clap)
0 = Khali (Wave)
Visual representation of divisions, clap patterns, and beat positions
| Maatra | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| Bol | Dhin | Naa | Dhin | Dhin | Naa | Tin | Naa | Dhin | Dhin | Naa |
| Sign | X👏 (Clap) | 2👏 (Clap) | 0👋 (Wave) | 3👏 (Clap) | ||||||
Starting beat with clap
Empty beat with wave
| Maatra | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| Bol | Dhin Naa | Dhin Dhin | Naa Tin | Naa Dhin | Dhin Naa | Dhin Naa | Dhin Dhin | Naa Tin | Naa Dhin | Dhin Naa |
| Sign | X👏 (Clap) | 2👏 (Clap) | 0👋 (Wave) | 3👏 (Clap) | ||||||
| Maatra | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| Bol | Dhin Naa Dhin | Dhin Naa Tin | Naa Dhin Dhin | Naa Dhin Naa | Dhin Dhin Naa | Tin Naa Dhin | Dhin Naa Dhin | Naa Dhin Dhin | Naa Tin Naa | Dhin Dhin Naa |
| Sign | X👏 (Clap) | 2👏 (Clap) | 0👋 (Wave) | 3👏 (Clap) | ||||||
| Maatra | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 |
| Bol | Dhin Naa Dhin Dhin | Naa Tin Naa Dhin | Dhin Naa Dhin Naa | Dhin Dhin Naa Tin | NaDhinDhinNa | Dhin Naa Dhin Dhin | Naa Tin Naa Dhin | Dhin Naa Dhin Naa | Dhin Dhin Naa Tin | Naa Dhin Dhin Naa |
| Sign | X👏 (Clap) | 2👏 (Clap) | 0👋 (Wave) | 3👏 (Clap) | ||||||
Jhaptaal is a Hindustani classical taal with 10 beats (matras) divided into four sections or vibhags of 2-3-2-3 beats each. It is a cyclic rhythmic pattern widely used in vocal and instrumental music. The first beat is 'sam', and there are designated 'khali' beats, which are unaccented. Its relatively short cycle and uneven divisions contribute to its characteristic rhythmic drive and expressiveness. Jhaptaal is versatile, finding application in various musical forms like Khyal, Dhrupad, and instrumental compositions, providing a solid yet flexible rhythmic foundation.
X = Sam (Clap) • Numbers = Tali (Clap) • 0 = Khali (Wave)
X = Sam (Clap) • Numbers = Tali (Clap) • 0 = Khali (Wave)
X = Sam (Clap) • Numbers = Tali (Clap) • 0 = Khali (Wave)