
Jhoomra Taal is a Hindustani rhythmic cycle of 14 beats, divided into four vibhags or divisions. It's characterised by a unique rhythmic structure and is considered a majestic and expansive taal. The theka of Jhoomra Taal lends itself well to showcasing improvisational skills, particularly through variations and complex layakari. Its inherent grace makes it a favourite among performers for both instrumental and vocal music. It provides a rich canvas for exploring rhythmic possibilities within the framework of Hindustani classical music. The first beat is 'Sam', and is the most important beat. The khali falls on the 8th beat.
3-4-3-4
Total: 14 beats
X 2 0 3
X = Sam (Clap)
Numbers = Tali (Clap)
0 = Khali (Wave)
Visual representation of divisions, clap patterns, and beat positions
| Maatra | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 |
| Bol | Dhin | Dha | TiRaKiTa | Dhin | Dhin | DhaGe | TiRaKiTa | Tin | Ta | TiRaKiTa | Dhin | Dhin | DhaGe | TiRaKiTa |
| Sign | X👏 (Clap) | 2👏 (Clap) | 0👋 (Wave) | 3👏 (Clap) | ||||||||||
Starting beat with clap
Empty beat with wave
Jhoomra Taal is a Hindustani rhythmic cycle of 14 beats, divided into four vibhags or divisions. It's characterised by a unique rhythmic structure and is considered a majestic and expansive taal. The theka of Jhoomra Taal lends itself well to showcasing improvisational skills, particularly through variations and complex layakari. Its inherent grace makes it a favourite among performers for both instrumental and vocal music. It provides a rich canvas for exploring rhythmic possibilities within the framework of Hindustani classical music. The first beat is 'Sam', and is the most important beat. The khali falls on the 8th beat.
X = Sam (Clap) • Numbers = Tali (Clap) • 0 = Khali (Wave)
X = Sam (Clap) • Numbers = Tali (Clap) • 0 = Khali (Wave)
X = Sam (Clap) • Numbers = Tali (Clap) • 0 = Khali (Wave)