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Taal - Sooltaal

Sooltaal, also referred to as Shultal, is a significant rhythmic cycle in Hindustani classical music, predominantly used in the majestic Dhrupad style. Comprising 10 beats (matras) organized into five equal divisions (vibhags) of two beats each, it is characterized by its brisk, energetic tempo. Claps (tali) occur on the first, fifth, and seventh beats, while empty beats (khali) are marked on the third and ninth. Traditionally performed on the Pakhawaj, its open and resonant strokes create a powerful atmosphere, making it ideal for Dhrupad compositions and instrumental solos.

10
Beats
5
Divisions
1-5-7
Sam (Clap) Positions
3-9
Khali (Wave) Positions
Beat Structure

Beat Division

2-2-2-2-2

Total: 10 beats

Clap Wave Pattern

X 0 2 3 0

X = Sam (Clap)

Numbers = Tali (Clap)

0 = Khali (Wave)

Taal Structure

Visual representation of divisions, clap patterns, and beat positions

Vibhag Pattern: 5

Maatra12345678910
Bol
Dhaa
Dhaa
Din
Taa
Ki
T
Dhaa
Ti
T
Ka
T
Ga
Di
Ga
Na
SignX👏 (Clap)0👋 (Wave)2👏 (Clap)3👏 (Clap)0👋 (Wave)
👏
Sam

Starting beat with clap

👋
Khali

Empty beat with wave

Dogun
Maatra12345678910
Bol
Dhaa
Dhaa
Din
Taa
KiT
Dhaa
TiT
KaT
GaDi
GaNa
Dhaa
Dhaa
Din
Taa
KiT
Dhaa
TiT
KaT
GaDi
GaNa
SignX👏 (Clap)0👋 (Wave)2👏 (Clap)3👏 (Clap)0👋 (Wave)
Tigun
Maatra12345678910
Bol
Dhaa
Dhaa
Din
Taa
KiT
Dhaa
TiT
KaT
GaDi
GaNa
Dhaa
Dhaa
Din
Taa
KiT
Dhaa
TiT
KaT
GaDi
GaNa
Dhaa
Dhaa
Din
Taa
KiT
Dhaa
TiT
KaT
GaDi
GaNa
SignX👏 (Clap)0👋 (Wave)2👏 (Clap)3👏 (Clap)0👋 (Wave)
Chaugun
Maatra12345678910
Bol
Dhaa
Dhaa
Din
Taa
KiT
Dhaa
TiT
KaT
GaDi
GaNa
Dhaa
Dhaa
Din
Taa
KiT
Dhaa
TiT
KaT
GaDi
GaNa
Dhaa
Dhaa
Din
Taa
KiT
Dhaa
TiT
KaT
GaDi
GaNa
Dhaa
Dhaa
Din
Taa
KiT
Dhaa
TiT
KaT
GaDi
GaNa
SignX👏 (Clap)0👋 (Wave)2👏 (Clap)3👏 (Clap)0👋 (Wave)
Additional Details for Sooltaal

Sooltaal, also referred to as Shultal, is a significant rhythmic cycle in Hindustani classical music, predominantly used in the majestic Dhrupad style. Comprising 10 beats (matras) organized into five equal divisions (vibhags) of two beats each, it is characterized by its brisk, energetic tempo. Claps (tali) occur on the first, fifth, and seventh beats, while empty beats (khali) are marked on the third and ninth. Traditionally performed on the Pakhawaj, its open and resonant strokes create a powerful atmosphere, making it ideal for Dhrupad compositions and instrumental solos.

Musical Genres

Dhrupad

Gharanas

Benares
Punjab

Instruments

Pakhawaj
Tabla